Plymouth theatre launches music industry talent development programme

Plymouth theatre launches music industry talent development programme

Plymouth’s Barbican Theatre has launched a expertise improvement programme after receiving funding from a number one nationwide music charity.

The theatre is launching ReBels Music after touchdown help from Youth Music, which invests in music-making tasks which helps kids and younger individuals, aged as much as 25 years outdated, to develop personally and socially in addition to musically.

ReBels Music is a part of Barbican Theatre’s wider talent-development work supporting Plymouth’s artistic sector and creating platforms for individuals to be heard.

ReBels Music will help the expansion of music business expertise within the metropolis, together with performers and people who wish to document, produce, market and design excursions that promote music.

Jason Singh

Barbican Theatre’s programme goals to interrupt limitations to reveal younger individuals to all of the roles that make up the music business, and alternatives to work with main business professionals.

It goals to offer different pathways into the music business, and provides younger artists routes to discovering their artistic voices – whether or not as lyricists, composers, producers, mixers, engineers or musicians.

Barbican Theatre’s ReBels expertise music lead James Woodhams stated: “I’m so glad we’re introducing this dynamic new factor of our ReBels expertise improvement coaching programme.

“ReBels Music will present younger individuals with entry to skilled mentoring, recording house and allow them to develop as musicians, producers, managers and inside many different music business roles.

“This programme got here from our younger individuals’s need to do extra music centered work and because of Youth Music we are able to make that need a actuality.”

A full 12 months of ReBels Music exercise is deliberate, with the primary a choice of 13 free sensible workshops, webinars and masterclasses working through zoom from February 25 to March 31. These free workshops have been scheduled all through the week, day and night to achieve as many individuals as potential.

The ReBels Music group is joined initially by 4 consultants from the music business:

Alex Hart, from Plymouth, who has been an expert musician for 15 years and has performed in venues across the UK, Europe and the USA both solo, with Martin Barre from Jethro Tull or extra lately with Seth Lakeman.

When she was 18 she was signed to a document label within the UK and the US and launched her debut album On This Day which had common airplay from Radio 2 and native BBC Radio stations.

In the summertime of 2013, she launched a canopy of Angie Stone’s Want I Did not Miss You which of them went to No2 within the dance charts and was supported by Pete Tong on Radio 1.

Throughout lockdown, after shedding three USA excursions attributable to Covid-19, Ms Hart has recorded a covers album (Below the Covers) from her spare room. She performed each instrument herself and it options songs from The Eagles, Billy Joel, Nick Drake and extra.

Ms Hart stated: “It’s wonderful that, in these darkish occasions for the music business, Barbican Theatre is doing a lot. They supply a fantastic platform for thus many younger individuals from totally different backgrounds, serving to them expertise the wealthy number of roles within the business which may lead in direction of careers they’d by no means even thought of.”

Daisy Higman, is an skilled theatre-maker, composer, author, voice artist and musician residing within the South West. She identifies as a disabled artist and educated as an actor on the Royal Central College of Speech and Drama, and has an MA in skilled voice observe from the Birmingham College of Performing.

She has taught voice at Bristol Previous Vic and Plymouth Conservatoire, and teaches theatre abilities on the Theatre Royal Plymouth, in addition to main Far Flung Dance Theatre’s Espresso Cup Choir. Ms Higman additionally runs workshops in vocal improvisation. She is a graduate of TRP’s Lab Firm Scheme and is a member of Extant Theatre’s Directing Pathways and TRP’s Eggbox Author’s Growth scheme.

As a composer, Daisy has written for the Narwhal Ensemble, Above Sure’s Theatre Collective, Kick The Filth Theatre, CEDA, FarFlung and for Emma Latham’s manufacturing of Girl of the English at Wilton’s Music Corridor.

Enterprise Reside’s South West Enterprise Reporter is William Telford.

William has greater than a decade’s expertise reporting on the enterprise scene in Plymouth and the South West. He’s based mostly in Plymouth however covers the complete area.

To contact William:

Electronic mail:

Cellphone: 01752 293116

Mob: 07584 594052

Twitter: @WTelfordHerald



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Benny Lau Crispin is a director of Milk Field Music Group Ltd, based mostly at theThe Granary Studio in Callington, Cornwall.The corporate provide companies from music engineering and recording, manufacturing tuition, document label administration, distribution and promotion aimed toward up-and-coming musicians and producers from the South West.

He has toured Europe performing in acts akin to Panda and Two Tribes and his music has been signed to main dance music labels together with Toolroom, Anjuna Deep and Love & Different.

Jason Singh, is a sound artist, producer, DJ, facilitator and performer. He’s a solo artist and collaborator whose work contains sound installations, nature soundscapes, radio reveals, sound design and sound explorations utilizing biodata, ceramics, textiles and museum objects.

Known as “the human sampler” by Cerys Matthews (Radio 6), Mr Singh additionally vocally recreates birdsong and pure environments. His work has featured on the 2019 BBC Misplaced Phrases promenade, BBC Radio four’s Decide of the Yr, Springwatch and Countryfile.

Matt Griffiths, Youth Music chief government, stated: “It’s actually vital we enhance entry in to the music industries for all younger individuals, no matter their background. That’s why we’re excited to put money into progressive organisations just like the Barbican Theatre, who prepared the ground with their progressive method and dedication to diversifying the artistic sector.”

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